Northwest Vision and Media, create the bigger picture
Rosalind Gildea
1.
What
made
you
decide
to
apply
for
your
trainee
position
on the
Northern
Routes
Training
Scheme?
When I
saw
the
scheme
advertised
I saw
it as
an
amazing
opportunity
of
getting
a
‘foot
in the
door’
and
meeting
contacts
whilst
gaining
on the
job
training
in a
very
specialized
role.
I’d
been
searching
for an
entry
into
the
industry
and
the
position
of
trainee
script
supervisor
was
perfect,
as it
would
enable
me to
be on
set
amidst
the
action,
which
is
what I
wanted.
2.
Please
give a
brief
outline
of
your
previous
experience,
related
to
this
training
position.
Last
summer
I
graduated
from a
practical
filmmaking
course,
Contemporary
Film
&
Video
at
Manchester
Metropolitan
University,
and
specialised
in
Directing.
Since
then
I’ve
been
working
on a
number
of
independent
projects
such
as a
low
budget
feature
film
in
London
as
Production
Manager,
a
researcher
in
factual
programme
making
for
Channel
M and
in the
Production
and
Press
team
on a
play
at
Studiosalford.
3.
There
were
nearly
500
applications
for 22
places
across
the
North
of
England,
how
did it
feel
to be
chosen?
Over
the
moon!
I was
thrilled
to
bits
that
I’d
been
chosen.
I felt
like
my
hard
work
of
applications
had
finally
paid
off
and
beating
the
competition
was a
definite
confidence
boost.
I
couldn’t
wait
to
start
the
placement.
4.
What
have
you
been
up to
so far
on
your
placement?
As
trainee
script
supervisor,
I’ve
had
the
privilege
of
being
on set
for
the
entire
shoot.
I’ve
been
learning
what
the
role
of
script
supervisor
entails
and
the
methods
used.
In
short,
I run
through
lines
with
the
actors,
shadow
the
script
supervisor
when
filming
in
concern
with
continuity,
get
the
camera
details
and
assist
the
script
supervisor
with
her
paperwork
and
progress
reports.
The
entire
shoot
is on
location,
which
has
been a
lot of
fun
and at
times
a
challenge.
5.
Best
bits?
The
best
part
of the
production
has to
be the
people
involved,
the
varied
locations
and
being
in the
privileged
position
of
seeing
how an
established
Director
works.
I’ve
met
some
very
talented
and
friendly
people
that
have
been
kind
enough
to
share
their
knowledge
and
make
me
feel
like
part
of the
team,
especially
the
Script
Supervisor.
The
locations
have
been
extremely
varied
and at
times
extravagant.
It’s
been
fascinating
to see
how
the
different
departments
create
these
dramatic
scenes.
6.
What
are
your
long
term
career
aims
and
how do
you
feel
this
scheme
will
help
you
achieve
them?
My
long-term
ambition
is to
Direct
and
Produce
and I
would
like
to
experience
working
on
both
drama
and
documentary
before
specializing
in one
or the
other.
However,
this
scheme
has
strengthened
my
understanding
of how
a
television
drama
operates,
both
logistically
and in
terms
of
shot
construction.
I have
learnt
the
craft
of
being
a
Script
Supervisor
and at
this
stage
in my
career,
would
like
more
experience
within
this
role
to
strengthen
my
knowledge
to
become
a
fully-fledged
Script
Supervisor
before
thinking
about
other
roles.


